ᮃᮞᮘᮏ asbaja

Aksara Sunda Basa Jawa - Blog cerita bahasa Jawa dialek Banyumasan yang ditulis dalam aksara Sunda

ᮝᮤᮜᮥᮓ᮪ ᮞᮥᮔ᮪ᮓ
ᮞᮨᮌᮨᮊᮨ ᮛᮝᮨᮊᮨ ᮞᮓᮚ
Nang kene kowe bisa ndeleng tulisan nganggo aksara Sunda, tapi isiné nyeritakna karo basa Jawa
ꦲ꧀ꦤ꧀ꦲ꧀ꦗꦲ꧀ꦗꦲ꧀ꦭ꧀ ꦲ꧀ꦤꦸꦲ꧀ꦭꦶꦲ꧀ꦱ꧀ ꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦺꦲ꧀ꦱ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦮꦲ꧀ꦕ ꦲ꧀ꦩꦸꦁ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀
ꦲ꧀ꦤ꧀ꦲ꧀ꦗꦲ꧀ꦗꦲ꧀ꦭ꧀ ꦲ꧀ꦤꦸꦲ꧀ꦭꦶꦲ꧀ꦱ꧀ ꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦺꦲ꧀ꦱ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦮꦲ꧀ꦕ ꦲ꧀ꦩꦸꦁ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀

ꦲ꧀ꦤ꧀ꦲ꧀ꦗꦲ꧀ꦗꦲ꧀ꦭ꧀ ꦲ꧀ꦤꦸꦲ꧀ꦭꦶꦲ꧀ꦱ꧀ ꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦺꦲ꧀ꦱ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦮꦲ꧀ꦕ ꦲ꧀ꦩꦸꦁ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀

ꦲ꧀ꦒꦲ꧀ꦒꦲ꧀ꦱꦲ꧀ꦤ꧀ ꦲ꧀ꦧꦲ꧀ꦧꦲ꧀ꦒꦲ꧀ꦤ꧀ ꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀ ꦲ꧀ꦛꦺꦴꦲ꧀ꦏ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦧꦲ꧀ꦤ꧀ꦲ꧀ꦗꦸꦂ ꦲ꧀ꦢꦶꦄꦲ꧀ꦫꦲ꧀ꦤꦶ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦺꦲ꧀ꦱ꧀ (ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦠꦸꦲ꧀ꦭꦶꦲ꧀ꦱꦲ꧀ꦤ꧀ ꦲ꧀ꦫꦼꦲ꧀ꦏꦄꦲ꧀ꦤ꧀ ꦲ꧀ꦔ꧀ꦲ꧀ꦒꦺꦴ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀) ꦲ꧀ꦏꦸꦲ꧀ꦮꦺ ꦲ꧀ꦭꦅꦲ꧀ꦫ꧀ ꦲ꧀ꦱꦼꦲ꧀ꦏꦁ ꦲ꧀ꦏꦼꦲ꧀ꦥꦶꦲ꧀ꦔꦶꦲ꧀ꦤꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦁꦲ꧀ꦒꦺꦴ ꦲ꧀ꦔꦺꦲ꧀ꦏ꧀ꦲ꧀ꦱ꧀ꦲ꧀ꦥ꧀ꦲ꧀ꦭꦺꦴꦲ꧀ꦫꦲ꧀ꦱꦶ ꦲ꧀ꦮꦲ꧀ꦠꦼꦲ꧀ꦱ꧀-ꦲ꧀ꦮꦲ꧀ꦠꦼꦲ꧀ꦱ꧀ ꦲ꧀ꦤꦸꦲ꧀ꦭꦶꦲ꧀ꦱ꧀ ꦄꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦏꦲ꧀ꦤ꧀ꦲ꧀ꦛꦶ ꦲ꧀ꦕꦲ꧀ꦫ ꦲ꧀ꦏꦿꦺꦄꦲ꧀ꦠꦶꦲ꧀ꦥ꦳꧀. ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦎꦲ꧀ꦫ ꦲ꧀ꦩꦸꦁ ꦲ꧀ꦔꦺꦴꦲ꧀ꦮꦲ꧀ꦲꦶ ꦲ꧀ꦠꦲ꧀ꦩ꧀ꦲ꧀ꦥꦶꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦥ꦳ꦶꦲ꧀ꦱꦸꦄꦲ꧀ꦭ꧀ ꦲ꧀ꦧꦌ, ꦲ꧀ꦤꦲ꧀ꦔꦶꦁ ꦈꦲ꧀ꦒ ꦲ꧀ꦔꦺꦴꦲ꧀ꦮꦲ꧀ꦲꦶ ꦲ꧀ꦕꦲ꧀ꦫ ꦲ꧀ꦩꦲ꧀ꦕ ꦲ꧀ꦏꦲ꧀ꦤ꧀ꦲ꧀ꦛꦶ ꦲ꧀ꦝꦲ꧀ꦱꦂ. ꦲ꧀ꦤꦁ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦼꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ, ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦥꦸꦲ꧀ꦱꦲ꧀ꦠ꧀ ꦈꦲ꧀ꦠꦲ꧀ꦩ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦮꦲ꧀ꦕ, ꦲ꧀ꦢꦺꦲ꧀ꦤꦺ ꦄꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦏꦲ꧀ꦪ ꦲ꧀ꦲ ꦲ꧀ꦩꦲ꧀ꦭꦃ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦈꦲ꧀ꦤ꧀ꦲ꧀ꦱꦸꦂ ꦲ꧀ꦩꦼꦲ꧀ꦤꦼꦁ ꦲ꧀ꦱꦶꦁ ꦎꦲ꧀ꦫ ꦲ꧀ꦢꦶꦲ꧀ꦮꦲ꧀ꦕ.

ꦲ꧀ꦏꦼꦈꦲ꧀ꦤꦶꦲ꧀ꦏꦲ꧀ꦤ꧀ ꦈꦲ꧀ꦠꦲ꧀ꦩ ꦲ꧀ꦱꦼꦲ꧀ꦏꦁ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦄꦲ꧀ꦤ ꦲ꧀ꦤꦁ ꦲ꧀ꦥꦿꦶꦲ꧀ꦤ꧀ꦲ꧀ꦱꦶꦲ꧀ꦥ꧀ ꦲ꧀ꦪꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦮꦲ꧀ꦕ ꦲ꧀ꦏꦸꦲ꧀ꦮꦺ ꦲ꧀ꦩꦸꦁ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀ ꦲ꧀ꦧꦌ. ꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦲ (ꦲ) ꦲ꧀ꦢꦶꦄꦼꦲ꧀ꦔ꧀ꦲ꧀ꦒꦺꦴ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦏꦼꦲ꧀ꦫꦁꦲ꧀ꦏ, ꦲ꧀ꦤꦲ꧀ꦔꦶꦁ ꦲ꧀ꦱꦶꦲ꧀ꦥ꦳ꦲ꧀ꦠꦺ *silent* ꦈꦲ꧀ꦠꦲ꧀ꦮ ꦎꦲ꧀ꦫ ꦄꦲ꧀ꦤ ꦲ꧀ꦩꦸꦲ꧀ꦤꦶꦲ꧀ꦤꦺ. ꦲ꧀ꦥꦼꦲ꧀ꦤ꧀ꦲ꧀ꦢꦼꦲ꧀ꦏꦲ꧀ꦠꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦔ꧀ꦲ꧀ꦒꦲ꧀ꦮꦺ ꦲ꧀ꦥꦼꦲ꧀ꦔꦲ꧀ꦭꦲ꧀ꦩꦲ꧀ꦤ꧀ ꦲ꧀ꦩꦲ꧀ꦕ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦧꦺꦲ꧀ꦢ ꦲ꧀ꦱꦼꦲ꧀ꦏꦁ ꦄꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦧꦶꦲ꧀ꦪꦲ꧀ꦱ, ꦄꦲ꧀ꦩꦂꦲ꧀ꦒ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦩꦲ꧀ꦕ ꦲ꧀ꦏꦸꦲ꧀ꦢꦸ ꦲ꧀ꦤꦼꦂꦲ꧀ꦗꦼꦲ꧀ꦩꦃꦲ꧀ꦤ ꦲ꧀ꦱ꧀ꦮꦲ꧀ꦫ ꦲ꧀ꦩꦸꦁ ꦲ꧀ꦱꦼꦲ꧀ꦏꦁ ꦲ꧀ꦠꦲ꧀ꦤ꧀ꦲ꧀ꦝ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦤꦼꦲ꧀ꦩ꧀ꦲ꧀ꦥꦼꦲ꧀ꦭ꧀.

ꦲ꧀ꦱꦲ꧀ꦭꦶꦲ꧀ꦪꦲ꧀ꦤꦺ ꦲ꧀ꦏꦸꦲ꧀ꦮꦺ, ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦈꦲ꧀ꦒ ꦲ꧀ꦤꦼꦲ꧀ꦠꦼꦲ꧀ꦥ꧀ꦲ꧀ꦤ ꦲ꧀ꦪꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦔꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦶꦁ ꦎꦲ꧀ꦫ ꦄꦲ꧀ꦤ ꦲ꧀ꦤꦁ ꦲ꧀ꦔꦶꦲ꧀ꦱꦺꦴꦂ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦥ꦳ꦺꦴꦲ꧀ꦏꦲ꧀ꦭ꧀ ꦲ꧀ꦩꦲ꧀ꦤ꧀ꦲ꧀ꦢꦶꦲ꧀ꦫꦶ ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦈꦲ꧀ꦒ ꦲ꧀ꦩꦲ꧀ꦏꦶꦲ꧀ꦭꦶ ꦲ꧀ꦏꦺꦴꦲ꧀ꦤ꧀ꦲ꧀ꦱꦺꦴꦲ꧀ꦤꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦲ꧀ꦪ ꦲ꧀ꦲ, ꦲ꧀ꦱ, ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦥ. ꦲ꧀ꦩꦸꦲ꧀ꦭ ꦲ꧀ꦱꦼꦲ꧀ꦏꦁ ꦲ꧀ꦏꦸꦲ꧀ꦮꦺ, ꦲ꧀ꦥꦁꦲ꧀ꦒꦸꦲ꧀ꦤꦄꦲ꧀ꦤ꧀ ꦄꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦔ꧀ꦲ꧀ꦭꦼꦲ꧀ꦒꦼꦲ꧀ꦤ ꦲ꧀ꦲ ꦎꦲ꧀ꦫ ꦲ꧀ꦩꦼꦲ꧀ꦱ꧀ꦲ꧀ꦛꦶ ꦲ꧀ꦢꦶꦲ꧀ꦧꦸꦲ꧀ꦠꦸꦃꦲ꧀ꦤ. ꦲ꧀ꦏꦲ꧀ꦲꦲ꧀ꦤꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦘꦼꦲ꧀ꦢꦼꦂꦲ꧀ꦲꦲ꧀ꦤꦲ꧀ꦏ꧀ꦲ꧀ꦤ ꦲ꧀ꦠꦲ꧀ꦩ꧀ꦲ꧀ꦥꦶꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦤꦲ꧀ꦔꦶꦁ ꦈꦲ꧀ꦒ ꦲ꧀ꦤꦲ꧀ꦤ꧀ꦲ꧀ꦠꦁ ꦲ꧀ꦏꦼꦲ꧀ꦧꦶꦲ꧀ꦪꦲ꧀ꦱꦄꦲ꧀ꦤ꧀ ꦲ꧀ꦩꦲ꧀ꦕ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦮꦶꦲ꧀ꦱ꧀ ꦄꦲ꧀ꦤ.

ꦲ꧀ꦥꦁꦲ꧀ꦒꦸꦲ꧀ꦤꦄꦲ꧀ꦤ꧀ ꦲ꧀ꦥꦁꦲ꧀ꦏꦺꦴꦲ꧀ꦤ꧀ ꦈꦲ꧀ꦒ ꦲ꧀ꦢꦶꦄꦲ꧀ꦠꦸꦂ ꦲ꧀ꦏꦲ꧀ꦤ꧀ꦲ꧀ꦛꦶ ꦲ꧀ꦏ꦳ꦸꦲ꧀ꦱꦸꦲ꧀ꦱ꧀, ꦲ꧀ꦪꦅꦲ꧀ꦏꦸ ꦲ꧀ꦏꦁꦲ꧀ꦒꦺꦴ ꦲ꧀ꦤꦲ꧀ꦤ꧀ꦲ꧀ꦝꦲ꧀ꦤꦶ ꦲ꧀ꦏꦺꦴꦲ꧀ꦤ꧀ꦲ꧀ꦱꦺꦴꦲ꧀ꦤꦲ꧀ꦤ꧀ ꦲ꧀ꦤꦁ ꦄꦲ꧀ꦏ꦳ꦶꦂ ꦲ꧀ꦠꦼꦲ꧀ꦩ꧀ꦲ꧀ꦧꦸꦁ ꦈꦲ꧀ꦠꦲ꧀ꦮ ꦲ꧀ꦪꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦼꦲ꧀ꦠꦼꦲ꧀ꦩꦸ ꦄꦲ꧀ꦤ꧀ꦲ꧀ꦠꦂ ꦲ꧀ꦏꦺꦴꦲ꧀ꦤ꧀ꦲ꧀ꦱꦺꦴꦲ꧀ꦤꦲ꧀ꦤ꧀, ꦲ꧀ꦏꦲ꧀ꦗꦲ꧀ꦧ ꦲ꧀ꦏꦁꦲ꧀ꦒꦺꦴ -ꦲ꧀ꦫ꧀, ꦲ꧀ꦲ꧀, ꦲ꧀ꦔ꧀, -ꦲ꧀ꦫ, -ꦲ꧀ꦫꦼ, -ꦲ꧀ꦪ, ꦲ꧀ꦭꦲ꧀ꦤ꧀ -ꦲ꧀ꦮ. ꦲ꧀ꦠꦸꦲ꧀ꦫꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦤꦸꦲ꧀ꦢꦸꦃꦲ꧀ꦤ ꦲ꧀ꦪꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦲ꧀ꦤꦲ꧀ꦗꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦱꦶꦲ꧀ꦥ꦳ꦲ꧀ꦠꦺ ꦌꦲ꧀ꦏ꧀ꦲ꧀ꦱ꧀ꦲ꧀ꦥꦼꦲ꧀ꦫꦶꦲ꧀ꦩꦺꦲ꧀ꦤ꧀, ꦲ꧀ꦤꦲ꧀ꦔꦶꦁ ꦅꦲ꧀ꦱꦶꦃ ꦲ꧀ꦤ꧀ꦲ꧀ꦢꦸꦲ꧀ꦮꦺ ꦲ꧀ꦭꦺꦴꦲ꧀ꦒꦶꦲ꧀ꦏ ꦲ꧀ꦱ꧀ꦮꦲ꧀ꦫ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦗꦲ꧀ꦒ ꦲ꧀ꦱꦸꦲ꧀ꦥꦲ꧀ꦪ ꦲ꧀ꦠꦼꦲ꧀ꦠꦼꦲ꧀ꦥ꧀ ꦲ꧀ꦏꦺꦴꦲ꧀ꦤ꧀ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦤ꧀.

ꦲ꧀ꦤꦁ ꦲ꧀ꦥꦲ꧀ꦔꦼꦲ꧀ꦩ꧀ꦲ꧀ꦧꦲ꧀ꦔꦲ꧀ꦤꦺ, ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦺꦲ꧀ꦱ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦈꦲ꧀ꦒ ꦲ꧀ꦢꦶꦲ꧀ꦫꦲ꧀ꦤ꧀ꦲ꧀ꦕꦁ ꦲ꧀ꦧꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦠꦺꦲ꧀ꦪꦺꦁ ꦲ꧀ꦤ꧀ꦲ꧀ꦝꦸꦲ꧀ꦏꦸꦁ ꦲ꧀ꦩꦲ꧀ꦕꦼꦲ꧀ꦩ꧀-ꦲ꧀ꦩꦲ꧀ꦕꦼꦲ꧀ꦩ꧀ ꦲ꧀ꦱ꧀ꦮꦲ꧀ꦫ ꦲ꧀ꦠꦲ꧀ꦩ꧀ꦲ꧀ꦧꦲ꧀ꦲꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦲ꧀ꦪ ꦌ (ꦲ꧀ꦠꦲ꧀ꦭꦶꦁ), ꦲ꧀ꦛ꧀, ꦲ꧀ꦝ꧀, ꦲ꧀ꦔ꧀, ꦲ꧀ꦘ꧀, ꦲ꧀ꦔꦲ꧀ꦤ꧀ꦲ꧀ꦠꦶ ꦲ꧀ꦱ꧀ꦮꦲ꧀ꦫ ꦲ꧀ꦱꦼꦲ꧀ꦫꦲ꧀ꦥꦲ꧀ꦤ꧀ ꦲ꧀ꦏꦲ꧀ꦪ ꦲ꧀ꦥ꦳꧀, ꦲ꧀ꦥ꦳꧀, ꦲ꧀ꦗ꦳꧀, ꦲ꧀ꦏ꦳꧀, ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦱ꦳꧀. ꦲ꧀ꦏꦸꦲ꧀ꦮꦺ ꦲ꧀ꦤꦸꦲ꧀ꦢꦸꦃꦲ꧀ꦤ ꦈꦲ꧀ꦥꦲ꧀ꦪ ꦲ꧀ꦱꦸꦲ꧀ꦥꦲ꧀ꦪ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦭꦸꦲ꧀ꦮꦶꦃ ꦲ꧀ꦥ꦳꧀ꦲ꧀ꦭꦺꦲ꧀ꦏ꧀ꦲ꧀ꦱꦶꦲ꧀ꦧꦼꦲ꧀ꦭ꧀ ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦕꦺꦴꦲ꧀ꦕꦺꦴꦲ꧀ꦒ꧀ ꦲ꧀ꦏꦲ꧀ꦫꦺꦴ ꦲ꧀ꦏꦲ꧀ꦧꦸꦲ꧀ꦠꦸꦲ꧀ꦲꦲ꧀ꦤ꧀ ꦲ꧀ꦧꦲ꧀ꦱ ꦲ꧀ꦱꦶꦲ꧀ꦏꦶ.

ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦭꦸꦲ꧀ꦮꦶꦃ ꦲ꧀ꦩꦼꦲ꧀ꦤꦲ꧀ꦫꦶꦲ꧀ꦏ꧀ ꦲ꧀ꦩꦲ꧀ꦤꦶꦁ, ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦈꦲ꧀ꦒ ꦲ꧀ꦩ꧀ꦲ꧀ꦧꦸꦲ꧀ꦏꦲ꧀ꦏ꧀ ꦲ꧀ꦏꦼꦲ꧀ꦩꦸꦁꦲ꧀ꦏꦶꦲ꧀ꦤꦲ꧀ꦤ꧀ ꦄꦲ꧀ꦤ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦸꦲ꧀ꦏ꧀ꦲ꧀ꦠꦸꦂ ꦲ꧀ꦩꦼꦲ꧀ꦢꦶꦄꦲ꧀ꦭ꧀ ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦥ꦳ꦶꦲ꧀ꦤꦲ꧀ꦭ꧀ ꦲ꧀ꦏꦲ꧀ꦪ ꦲ꧀ꦤꦁ ꦄꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦠꦿꦲ꧀ꦢꦶꦲ꧀ꦱꦶꦎꦲ꧀ꦤꦲ꧀ꦭ꧀, ꦲ꧀ꦕꦺꦴꦲ꧀ꦤ꧀ꦲ꧀ꦠꦺꦴꦲ꧀ꦤꦺ ꦲ꧀ꦥꦼꦁꦲ꧀ꦏꦲ꧀ꦭ꧀ ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦕꦲ꧀ꦏꦿ ꦲ꧀ꦏꦁꦲ꧀ꦒꦺꦴ ꦲ꧀ꦥꦺꦴꦲ꧀ꦱꦶꦲ꧀ꦱꦶ ꦲ꧀ꦠꦼꦲ꧀ꦔꦃ, ꦈꦲ꧀ꦒ ꦲ꧀ꦕꦼꦲ꧀ꦕꦲ꧀ꦏ꧀, ꦲ꧀ꦮꦶꦲ꧀ꦒ꧀ꦲ꧀ꦘꦲ꧀ꦤ꧀, ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦲ꧀ꦭꦲ꧀ꦪꦂ ꦲ꧀ꦏꦁꦲ꧀ꦒꦺꦴ ꦲ꧀ꦥꦺꦴꦲ꧀ꦱꦶꦲ꧀ꦱꦶ ꦄꦲ꧀ꦏ꦳ꦶꦂ. ꦌꦲ꧀ꦏ꧀ꦲ꧀ꦱ꧀ꦲ꧀ꦥ꧀ꦲ꧀ꦭꦺꦴꦲ꧀ꦫꦲ꧀ꦱꦶ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦤꦸꦲ꧀ꦢꦸꦃꦲ꧀ꦤ ꦲ꧀ꦪꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦄꦲ꧀ꦘꦂ ꦅꦲ꧀ꦱꦶꦃ ꦲ꧀ꦠꦺꦲ꧀ꦪꦺꦁ ꦲ꧀ꦘꦲ꧀ꦩ꧀ꦲ꧀ꦧꦸꦁ ꦲ꧀ꦏꦲ꧀ꦫꦺꦴ ꦲ꧀ꦠꦿꦲ꧀ꦢꦶꦲ꧀ꦱꦶ ꦲ꧀ꦭꦲ꧀ꦮꦲ꧀ꦱ꧀.

ꦲ꧀ꦠꦸꦲ꧀ꦗꦸꦄꦲ꧀ꦤ꧀ ꦈꦲ꧀ꦠꦲ꧀ꦩ ꦲ꧀ꦱꦼꦲ꧀ꦏꦁ ꦲ꧀ꦔ꧀ꦲ꧀ꦒꦲ꧀ꦮꦺ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦢꦸꦲ꧀ꦢꦸ ꦲ꧀ꦩꦸꦁ ꦅꦲ꧀ꦤꦺꦴꦲ꧀ꦥ꦳ꦲ꧀ꦱꦶ ꦲ꧀ꦠꦼꦲ꧀ꦏ꧀ꦲ꧀ꦤꦶꦲ꧀ꦱ꧀ ꦲ꧀ꦧꦌ, ꦲ꧀ꦤꦲ꧀ꦔꦶꦁ ꦈꦲ꧀ꦒ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦩꦼꦲ꧀ꦢꦶꦄ ꦌꦲ꧀ꦏ꧀ꦲ꧀ꦱ꧀ꦲ꧀ꦥꦼꦲ꧀ꦫꦶꦲ꧀ꦩꦺꦲ꧀ꦤ꧀ ꦲ꧀ꦭꦶꦲ꧀ꦔꦸꦅꦲ꧀ꦱ꧀ꦲ꧀ꦠꦶꦲ꧀ꦏ꧀, ꦲ꧀ꦱꦲ꧀ꦫꦲ꧀ꦤ ꦲ꧀ꦱꦶꦲ꧀ꦤꦈ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦏꦿꦺꦄꦲ꧀ꦠꦶꦲ꧀ꦥ꦳꧀, ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦈꦲ꧀ꦒ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦱꦼꦲ꧀ꦤꦶ ꦲ꧀ꦤꦸꦲ꧀ꦭꦶꦲ꧀ꦱ꧀ ꦄꦲ꧀ꦏ꧀ꦲ꧀ꦱꦲ꧀ꦫ. ꦲ꧀ꦤꦁ ꦲ꧀ꦱꦶꦲ꧀ꦱꦶꦃ ꦲ꧀ꦭꦶꦲ꧀ꦪ, ꦲ꧀ꦏꦼꦲ꧀ꦫꦸꦲ꧀ꦩꦶꦲ꧀ꦠꦲ꧀ꦤꦺ ꦈꦲ꧀ꦒ ꦲ꧀ꦤ꧀ꦲ꧀ꦢꦲ꧀ꦢꦺꦲ꧀ꦏ꧀ꦲ꧀ꦤ ꦲ꧀ꦱꦶꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦩ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦩꦼꦲ꧀ꦢꦶꦄ ꦲ꧀ꦥꦼꦲ꧀ꦱꦼꦲ꧀ꦤ꧀ ꦲ꧀ꦱꦶꦁ ꦲ꧀ꦢꦶꦲ꧀ꦝꦼꦲ꧀ꦭꦶꦲ꧀ꦏ꧀ꦲ꧀ꦤ, ꦄꦲ꧀ꦩꦂꦲ꧀ꦒ ꦎꦲ꧀ꦫ ꦲ꧀ꦒꦲ꧀ꦩ꧀ꦲ꧀ꦥꦁ ꦲ꧀ꦢꦶꦲ꧀ꦥꦲ꧀ꦲꦲ꧀ꦩꦶ ꦲ꧀ꦮꦺꦴꦁ ꦈꦲ꧀ꦩꦸꦲ꧀ꦩ꧀. ꦲ꧀ꦩꦸꦲ꧀ꦭ, ꦲ꧀ꦗꦲ꧀ꦮ ꦲ꧀ꦱ꧀ꦲ꧀ꦠꦿꦺꦲ꧀ꦱ꧀ ꦲ꧀ꦏꦶꦲ꧀ꦪꦺ ꦲ꧀ꦢꦲ꧀ꦢꦶ ꦲ꧀ꦒꦲ꧀ꦧꦸꦲ꧀ꦔꦲ꧀ꦤ꧀ ꦄꦲ꧀ꦤ꧀ꦲ꧀ꦠꦲ꧀ꦫꦲ꧀ꦤꦺ ꦌꦲ꧀ꦏ꧀ꦲ꧀ꦱ꧀ꦲ꧀ꦥꦼꦲ꧀ꦫꦶꦲ꧀ꦩꦺꦲ꧀ꦤ꧀, ꦌꦲ꧀ꦢꦸꦲ꧀ꦏꦲ꧀ꦱꦶ, ꦲ꧀ꦭꦲ꧀ꦤ꧀ ꦌꦲ꧀ꦱ꧀ꦲ꧀ꦠꦺꦲ꧀ꦠꦶꦲ꧀ꦏ.

Njajal Nulis Aksara Jawa Strés Sing Diwaca Mung Sandhangan 

Gagasan babagan Aksara Jawa Sandhangan Thok sing banjur diarani Jawa STRÉS (Sistém Tulisan Rekaan Enggo Sandhangan) kuwé lair sekang kepinginan kanggo ngéksplorasi wates-wates nulis aksara Jawa kanthi cara kréatif. Sistém kiyé ora mung ngowahi tampilan visual baé, nanging uga ngowahi cara maca kanthi dhasar. Nang sistem kiyé, sandhangan dadi pusat utama sing diwaca, déné aksara kaya ha malah dadi unsur meneng sing ora diwaca.

Keunikan utama sekang sistém kiyé ana nang prinsip yén sing diwaca kuwé mung sandhangan baé. Aksara ha (ꦲ) dienggo dadi kerangka, nanging sifaté silent utawa ora ana muniné. Pendekatan kiyé nggawé pengalaman maca sing béda sekang aksara Jawa biyasa, amarga sing maca kudu nerjemahna swara mung sekang tandha sandhangan sing nempel.

Saliyané kuwé, sistém kiyé uga netepna yén sandhangan sing ora ana nang ngisor dadi vokal mandiri lan uga makili konsonan kaya ha, sa, lan pa. Mula sekang kuwé, panggunaan aksara nglegena ha ora mesthi dibutuhna. Kahanan kiyé nyederhanakna tampilan nanging uga nantang kebiyasaan maca sing wis ana.

Panggunaan pangkon uga diatur kanthi khusus, yaiku kanggo nandhani konsonan nang akhir tembung utawa yén ketemu antar konsonan, kajaba kanggo -r, h, ng, -ra, -re, -ya, lan -wa. Aturan kiyé nuduhna yén sanajan sistém kiyé sifaté éksperimén, nanging isih nduwé logika swara sing dijaga supaya tetep konsistén.

Nang pangembangané, sistém Jawa STRÉS kiyé uga dirancang bén téyéng ndhukung macem-macem swara tambahan kaya é (taling), th, dh, ng, ny, nganti swara serapan kaya f, v, z, kh, lan sy. Kuwé nuduhna upaya supaya sistém kiyé dadi luwih fléksibel lan cocog karo kabutuhan basa siki.

Sing luwih menarik maning, sistém kiyé uga mbukak kemungkinan ana struktur medial lan final kaya nang aksara Jawa tradisional, contoné pengkal lan cakra kanggo posisi tengah, uga cecak, wignyan, lan layar kanggo posisi akhir. Éksplorasi kiyé nuduhna yén sistém anyar isih téyéng nyambung karo tradisi lawas.

Tujuan utama sekang nggawé sistém kiyé dudu mung inovasi teknis baé, nanging uga dadi media éksperimén linguistik, sarana sinau sing kréatif, lan uga dadi seni nulis aksara. Nang sisih liya, kerumitané uga ndadékna sistém kiyé dadi media pesen sing didhelikna, amarga ora gampang dipahami wong umum. Mula, Jawa STRÉS kiyé dadi gabungan antarané éksperimén, édukasi, lan éstétika. #aksarajawa #jawastres
ᮘᮞ᮪ᮒᮤ ᮞᮨᮜᮨᮊᮔ᮪ ᮜᮨᮄᮎ᮪
ꦮᮧᮀ ꦩꦭꦪ᮪ꦱᮤꦄ ꦎꦫ ꦒᮨꦭᮨꦩ᮪ ꦇꦱ᮪ꦠᮤꦭᮂ ꦤᮥꦱꦤ᮪ꦠꦫ ꦏꦫᮨꦥᮦ "ꦲꦭꦩ᮪ ꦩᮨꦭꦪᮥ"
ꦮᮧᮀ ꦩꦭꦪ᮪ꦱᮤꦄ ꦎꦫ ꦒᮨꦭᮨꦩ᮪ ꦇꦱ᮪ꦠᮤꦭᮂ ꦤᮥꦱꦤ᮪ꦠꦫ ꦏꦫᮨꦥᮦ "ꦲꦭꦩ᮪ ꦩᮨꦭꦪᮥ"

ꦮᮧᮀ ꦩꦭꦪ᮪ꦱᮤꦄ ꦎꦫ ꦒᮨꦭᮨꦩ᮪ ꦇꦱ᮪ꦠᮤꦭᮂ ꦤᮥꦱꦤ᮪ꦠꦫ ꦏꦫᮨꦥᮦ "ꦲꦭꦩ᮪ ꦩᮨꦭꦪᮥ"

ꦥᮨᮁꦢᮨꦧꦠꦤ᮪ ꦧꦧꦒꦤ᮪ ꦇꦱ᮪ꦠᮤꦭᮂ ꦤᮥꦱꦤ᮪ꦠꦫ ꦭꦤ᮪ ꦄꦭꦩ᮪ ꦩᮨꦭꦪᮥ ꦱᮨꦗꦠᮤꦤᮦ ꦢᮥꦢᮥ ꦥᮨᮁꦏꦫ ꦱᮨꦗꦫᮂ ꦥᮨꦫᮀ ꦈꦠꦮ ꦥᮨꦤ᮪ꦗꦗꦲꦤ᮪ ꦧꦌ, ꦤꦔᮤᮀ ꦭᮥꦮᮤᮂ ꦩꦫᮀ ꦧᮦꦢꦤᮦ ꦱᮥꦢᮥꦠ᮪ ꦥꦤ᮪ꦢᮀ ꦭꦤ᮪ ꦇꦢᮨꦤ᮪ꦠᮤꦠꦱ᮪ ꦤꦱᮤꦎꦤꦭ᮪. ꦤᮀ ꦇꦤ᮪ꦢᮧꦤᮨꦱᮤꦄ, ꦇꦱ᮪ꦠᮤꦭᮂ ꦤᮥꦱꦤ᮪ꦠꦫ ꦏᮨꦫᮨꦥ᮪ ꦢᮤꦒꦤ᮪ꦢᮦᮀꦤ ꦏꦫᮧ ꦮꦫᮤꦱꦤ᮪ ꦏᮨꦫꦗꦄꦤ᮪ ꦩꦗꦥꦲᮤꦠ᮪, ꦢᮦꦤᮦ ꦤᮀ ꦩꦭꦪ᮪ꦱᮤꦄ ꦭᮥꦮᮤᮂ ꦚꦩꦤ᮪ ꦔᮀꦒᮧ ꦏᮧꦤ᮪ꦱᮨꦥ᮪ ꦄꦭꦩ᮪ ꦩᮨꦭꦪᮥ ꦱᮤᮀ ꦢᮤꦫꦱ ꦭᮥꦮᮤᮂ ꦩꦏᮤꦭᮤ ꦧᮥꦢꦪ ꦭꦤ᮪ ꦧꦱ ꦩᮨꦭꦪᮥ.


ꦤᮀ ꦗꦩꦤ᮪ ꦩꦗꦥꦲᮤꦠ᮪, ꦏᮧꦤ᮪ꦱᮨꦥ᮪ ꦏᮨꦏᮥꦮꦠꦤ᮪ ꦎꦫ ꦥꦝ ꦏꦫᮧ ꦥᮨꦤ᮪ꦗꦗꦲꦤ᮪ ꦩᮧꦢᮨᮁꦤ᮪. ꦱᮤꦱ᮪ꦠᮨꦩ᮪ ꦥᮧꦭᮤꦠᮤꦏᮦ ꦔᮀꦒᮧ ꦥᮧꦭ ꦩꦤ᮪ꦢꦭ, ꦪꦏᮥꦮᮦ ꦭᮤᮀꦏᮁ ꦥᮨꦔꦫᮥᮂ ꦱᮤᮀ ꦎꦫ ꦤ᮪ꦢᮥꦮᮦ ꦮꦠᮨꦱ᮪ ꦤᮨꦒꦫ ꦠᮨꦒᮨꦱ᮪ ꦏꦪ ꦱᮤꦏᮤ. ꦢꦢᮤ ꦤꦭᮤꦏ ꦄꦤ ꦮᮤꦭꦪᮂ ꦭᮤꦪ ꦢᮤꦱᮨꦧᮥꦠ᮪ ꦄꦤ ꦤᮀ ꦱꦔᮤꦱᮧꦫᮤᮀ ꦥᮨꦔꦫᮥᮂ, ꦏᮥꦮᮦ ꦢᮥꦫᮥᮀ ꦩᮨꦱ᮪ꦛᮤ ꦄᮁꦠᮤꦤᮦ ꦢᮤꦏᮥꦄꦱꦇ ꦭᮀꦱᮥᮀ ꦏꦪ ꦏᮧꦭᮧꦤᮤꦄꦭ᮪ ꦌꦫᮧꦥ.

ꦲᮤꦱ᮪ꦠᮤꦭᮂ ꦤᮥꦱꦤ᮪ꦠꦫ ꦤᮀ ꦄꦧꦢ᮪ ꦏ-14 ꦭᮥꦮᮤᮂ ꦤᮥꦢᮥᮂꦤ ꦗꦫᮤꦔꦤ᮪ ꦥᮧꦭᮤꦠᮤꦏ᮪ ꦭꦤ᮪ ꦢꦒᮀ ꦩꦫᮤꦠᮤꦩ᮪. ꦤꦔᮤᮀ ꦤꦭᮤꦏ ꦩᮣᮨꦧᮥ ꦄꦧꦢ᮪ ꦏ-20, ꦠᮧꦏᮧᮂ ꦤꦱᮤꦎꦤꦭ᮪ ꦇꦤ᮪ꦢᮧꦤᮨꦱᮤꦄ ꦔᮥꦫᮤꦥ᮪ꦤ ꦩꦤᮤᮀ ꦇꦱ᮪ꦠᮤꦭᮂ ꦏᮤꦪᮦ ꦢꦢᮤ ꦱᮤꦩ᮪ꦧᮧꦭ᮪ ꦥᮨᮁꦱꦠᮥꦄꦤ᮪ ꦧᮀꦱ ꦤ᮪ꦒᮣꦮꦤ᮪ ꦥᮨꦤ᮪ꦗꦗꦲꦤ᮪. ꦩꦏ᮪ꦤꦤᮦ ꦎꦮᮂ ꦱᮨꦏᮀ ꦌꦏ᮪ꦱ᮪ꦥꦤ᮪ꦱᮤ ꦢꦢᮤ ꦏᮨꦱꦠᮥꦄꦤ᮪ ꦮᮤꦭꦪᮂ ꦏᮨꦥᮥꦭꦈꦄꦤ᮪.

ꦤᮀ ꦱᮤꦱᮤᮂ ꦭᮤꦪ, ꦄꦭꦩ᮪ ꦩᮨꦭꦪᮥ ꦮᮤꦮᮤꦠꦤᮦ ꦏᮧꦤ᮪ꦱᮨꦥ᮪ ꦧᮥꦢꦪ ꦭꦤ᮪ ꦧꦱ. ꦮᮤꦭꦪᮂ ꦱᮤᮀ ꦔᮀꦒᮧ ꦧꦱ ꦩᮨꦭꦪᮥ ꦭꦤ᮪ ꦤ᮪ꦢᮥꦮᮦ ꦄꦢꦠ᮪ ꦱᮨꦫᮥꦩ᮪ꦥᮥꦤ᮪ ꦢᮤꦄꦤ᮪ꦒ᮪ꦒᮨꦥ᮪ ꦢꦢᮤ ꦱᮤꦗᮤ ꦥᮨꦫꦢꦧꦤ᮪. ꦏᮨꦱᮥꦭ᮪ꦠꦤꦤ᮪ ꦏꦪ ꦏᮨꦱᮥꦭ᮪ꦠꦤꦤ᮪ ꦩᮨꦭꦏ ꦤ᮪ꦢᮥꦮᮦ ꦥᮨꦫꦤ᮪ ꦒᮨꦝᮦ ꦚᮨꦧᮁꦤ ꦥᮨꦔꦫᮥᮂ ꦧᮥꦢꦪ ꦩᮨꦭꦪᮥ ꦤᮀ ꦄꦱᮤꦄ ꦠᮨᮀꦒꦫ.

ꦤꦭᮤꦏ ꦩᮣᮨꦧᮥ ꦗꦩꦤ᮪ ꦏᮧꦭᮧꦤᮤꦄꦭ᮪ ꦭꦤ᮪ ꦥꦩ᮪ꦧᮨꦤ᮪ꦠᮥꦏꦤ᮪ ꦤᮨꦒꦫ ꦩᮧꦢᮨᮁꦤ᮪, ꦏᮧꦤ᮪ꦱᮨꦥ᮪ ꦄꦭꦩ᮪ ꦩᮨꦭꦪᮥ ꦢꦢᮤ ꦭᮥꦮᮤᮂ ꦥᮧꦭᮤꦠᮤꦱ᮪. ꦇꦢᮨꦤ᮪ꦠᮤꦠꦱ᮪ ꦩᮨꦭꦪᮥ ꦢᮤꦫᮥꦩᮥꦱ᮪ꦤ ꦏꦤ᮪ꦛᮤ ꦈꦤ᮪ꦱᮥᮁ ꦄꦒꦩ, ꦧꦱ, ꦭꦤ᮪ ꦄꦢꦠ᮪. ꦩᮥꦭ ꦇꦱ᮪ꦠᮤꦭᮂ ꦏᮤꦪᮦ ꦎꦫ ꦩᮥᮀ ꦧᮥꦢꦪ ꦧꦌ, ꦤꦔᮤᮀ ꦈꦒ ꦄꦤ ꦒꦤ᮪ꦝᮨᮀꦤ ꦏꦫᮧ ꦱ᮪ꦠᮢᮥꦏ᮪ꦠᮥᮁ ꦥᮧꦭᮤꦠᮤꦏ᮪ ꦤᮨꦒꦫ ꦩꦭꦪ᮪ꦱᮤꦄ ꦱᮤꦏᮤ.

ꦥꦫ ꦱᮨꦗꦫꦮꦤ᮪ ꦇꦤ᮪ꦠᮨᮁꦤꦱᮤꦎꦤꦭ᮪ ꦧᮤꦄꦱꦤᮦ ꦎꦫ ꦩᮤꦭᮤᮂ ꦱꦭᮂ ꦱᮤꦗᮤ ꦇꦱ᮪ꦠᮤꦭᮂ ꦩꦈ. ꦮᮧᮀ-ꦮᮧᮀ ꦩꦈ ꦭᮥꦮᮤᮂ ꦱᮨꦤᮨᮀ ꦔᮀꦒᮧ ꦇꦱ᮪ꦠᮤꦭᮂ ***ꦩꦫᮤꦠᮤꦩᮨ ꦱᮧꦈꦛᮨꦄꦱ᮪ꦠ᮪ ꦄꦱᮤꦄ*** ꦏᮀꦒᮧ ꦤ᮪ꦗᮨꦭꦱ᮪ꦤ ꦏꦮꦱꦤ᮪ ꦏᮨꦥᮥꦭꦈꦄꦤ᮪ ꦱᮤᮀ ꦚꦩ᮪ꦧᮥᮀ ꦭᮤꦮꦠ᮪ ꦥᮨᮁꦢꦒꦔꦤ᮪ ꦭꦤ᮪ ꦇꦤ᮪ꦠᮨꦫꦏ᮪ꦱᮤ ꦧᮥꦢꦪ. ꦩᮤꦠᮥꦫᮥꦠ᮪ ꦥꦤ᮪ꦢꦔꦤ᮪ ꦄꦏꦢᮨꦩᮤꦏ᮪ ꦒᮣᮧꦧꦭ᮪, ꦩꦗꦥꦲᮤꦠ᮪ ꦎꦫ ꦢᮤꦄꦤ᮪ꦒ᮪ꦒᮨꦥ᮪ ꦥᮨꦤ᮪ꦗꦗᮂ ꦏᮧꦭᮧꦤᮤꦄꦭ᮪ ꦩᮧꦢᮨᮁꦤ᮪, ꦭꦤ᮪ ꦄꦭꦩ᮪ ꦩᮨꦭꦪᮥ ꦈꦒ ꦎꦫ ꦢᮤꦄꦤ᮪ꦒ᮪ꦒᮨꦥ᮪ ꦤᮨꦒꦫ ꦠᮥᮀꦒꦭ᮪ ꦲᮤꦱ᮪ꦠᮧꦫᮤꦱ᮪.

ꦩᮥꦭ ꦫᮤᮀꦏᮨꦱꦤᮦ, ꦥᮨᮁꦢᮨꦧꦠꦤ᮪ ꦤᮥꦱꦤ᮪ꦠꦫ ꦭꦤ᮪ ꦄꦭꦩ᮪ ꦩᮨꦭꦪᮥ ꦭᮥꦮᮤᮂ ꦚᮀꦏᮥꦠ᮪ ꦇꦢᮨꦤ᮪ꦠᮤꦠꦱ᮪ ꦤꦱᮤꦎꦤꦭ᮪ ꦄꦧꦢ᮪ ꦩᮧꦢᮨᮁꦤ᮪ ꦠᮤꦤᮤꦩ᮪ꦧᮀ ꦫᮨꦄꦭᮤꦠꦱ᮪ ꦥᮧꦭᮤꦠᮤꦏ᮪ ꦄꦧꦢ᮪ ꦏ-14. ꦭᮧꦫᮧ-ꦭᮧꦫᮧꦤᮦ ꦱᮂ ꦩᮤꦠᮥꦫᮥꦠ᮪ ꦏᮧꦤ᮪ꦠᮦꦏᮦ ꦝᮦꦮᮦꦏ᮪-ꦝᮦꦮᮦꦏ᮪, ꦭꦤ᮪ ꦱᮨꦗꦫᮂ ꦄꦱᮤꦄ ꦠᮨᮀꦒꦫ ꦥꦤ᮪ꦕᮦꦤ᮪ ꦕꦇᮁ, ꦢᮤꦤꦩᮤꦱ᮪, ꦭꦤ᮪ ꦎꦫ ꦒꦩ᮪ꦥᮀ ꦢᮤꦮꦠᮨꦱᮤ ꦔᮀꦒᮧ ꦱᮤꦗᮤ ꦇꦱ᮪ꦠᮤꦭᮂ ꦧꦌ. #aksarajanda

ᮘᮞ᮪ᮒᮤ ᮞᮨᮜᮨᮊᮔ᮪ ᮜᮨᮄᮎ᮪